AT
THE TOP of the charts stands the prototypical emcee: DMX. Despite
being the only man —
hip-hop or otherwise —
to have his first two albums debut at No. 1 on the Billboard
charts in the same year, DMX's nihilistic demeanor suggests that he is
indifferent toward success. In videos and on album and magazine
covers, he displays the same attitude held by many rappers far
hungrier and poorer than he.
The reality is far more complex. A
husband and devoted father, DMX rarely makes the public overtures that
allow others to see the life he came from or the life he lives outside
the spotlight. But some facts have emerged. Born Earl Simmons in
Baltimore in 1970, he moved to Yonkers, N.Y., shortly thereafter.
Sharing a home with an abusive mother (his absentee father left the
family when DMX was young) in the notorious Yonkers School Street
Projects, Simmons became the classic juvenile delinquent, "the
kid that other kids would get beatings for playing with," he told
Rolling Stone in 1998.
His mother was convinced by school
officials to send him to a group home at the age of 7; he ended up
spending more than five years in several of them. "There's a
period in your childhood when you accept whatever you're given as
normal," he says. By his early teens, Earl was familiar with the
jail system, thanks to an affinity for robbery. He would eventually
spend seven years in prison, according to an interview with Blaze
magazine, "not counting group homes and institutions." He
also developed an appetite for alcohol and drugs, perhaps connected to
his a lifelong bout with manic depression.
Somewhere along the line, he found the
desire to rap; early influences included the '80s group Whodini. He
gave himself the title DMX as a hallmark to his beatboxing skills. In
1991, he won Source magazine's prestigious Unsigned Hype award,
which led to a record deal with Ruffhouse and a 1992 single,
"Born Loser." But the label's attention was clearly focused
on its marquee acts, Cypress
Hill and Kriss Kross, and DMX asked to be released from his
contract, a request honored by Ruffhouse.
Through the mid-'90s, DMX built an
unstoppable street buzz around New York City by spitting his rhymes at
clubs, on street corners, and on mix tapes. He also made guest
appearances on other artists' records, including Mic Geronimo's 1997
track "Usual Suspects." In early 1997, with the help of Ruff
Ryders Entertainment (which also manages the Lox and Eve), DMX was
signed by Def Jam, leading to appearances on LL Cool J's
"4,3,2,1" single and album tracks for the Lox, Mase, and
John Forte.
In early 1998, DMX released his first
single, "Get at Me Dog," and the world at large began to
hear his unmistakable style, a mixture of plainspoken verses and a
coarse, rusty bark, in homage to his lifelong affinity for dogs. (The
massive tattoo on his back, "One Love Boomer," is a
dedication to his late pit bull and "best friend.")
The buzz surrounding DMX was enough to
sell 250,000 copies of It's
Dark and Hell Is Hot during its first week of release, leading
to a surprise No. 1 debut on Billboard with little or no
advance promotion. It's Dark sat on the Billboard 200
well into 1999, eventually selling more than three million copies.
Meanwhile, a second single, "Ruff Ryders Anthem," ruled
urban radio that summer, imprinting DMX's growl in the minds of
listeners everywhere. He also continued to make high-profile guest
appearances, adding verses to Ice Cube's remixed single "We Be
Clubbin'," Jayo Felony's "Whatcha Gonna Do," and the
Lox's "Money, Power, and Respect." He also participated in
Def Jam's "Survival of the Illest" tour with Onyx and the
Def Squad (Redman, Erick Sermon, and Keith Murray).
DMX's unrelenting thug persona
immediately drew comparisons to the late Tupac
Shakur, who originally championed "thug life." But DMX
proved that he was different, at least from a personality standpoint,
when an exotic dancer accused him of rape shortly after his first
album came out. Rather than parade his case before the media, DMX
cooperated with authorities and provided a blood sample, quickly
leading to a dismissal of the charge. "I think Tupac was a
strong-minded black man, and that's what America fears," he told
MTV during the controversy.
Later that year, he starred in his
first film, Belly, a crime saga directed by video auteur Hype
Williams and co-starring Nas,
Method
Man, and T-Boz from TLC.
In the final month of 1998, DMX
released his second album of the year, Flesh
of My Flesh, Blood of My Blood, an album that turned out to be
full of surprises, beginning with its shocking cover. Holding his
hands out to the camera, DMX was covered in blood, as though he had
just emerged from some horribly grisly war. The album also featured an
unlikely collaboration with Marilyn
Manson, "Omen," as well as duets with Mary
J. Blige, Jay-Z,
and the Lox. Flesh of My Flesh easily shot to No. 1, beating
out releases by Garth
Brooks and Celine
Dion.
Coupling Flesh with Jay-Z's
popular Vol.
2 … Hard Knock Life, Def Jam began establishing itself as
the most powerful label in hip-hop history, arguably eclipsing
previous reigns by Sean
"Puffy" Combs' Bad Boy Records and Dr.
Dre and Suge Knight's Death Row imprint.
The first half of 1999 proved to be a
busy one for DMX. Early on, he joined the Hard Knock Life tour with
labelmates Jay-Z, Method Man, Redman, and DJ Clue. The screams and
squeals that greeted DMX when he stripped to reveal a sinewy, chiseled
frame at each show were proof that he was rap's new sex symbol.
Although his asthma forced him to miss one of the dates (which he made
up later in the year), DMX proved to be a key figure in hip-hop's most
successful recent tour. In addition to his Hard Knock Life tour
duties, DMX helped to launch the platinum Ruff Ryders compilation, Ryde
or Die Vol. I, paving the way for a rejuvenated Lox and Eve's
own solo success.
The final year of the 1900s also
brought about some less desirable events. In May, DMX continued his
strained relationship with the law when he was arrested on an
outstanding warrant concerning a stabbing allegation in Denver, as
well as on charges of stabbing a man in Yonkers who allegedly insulted
his wife, Tashera. Both cases were eventually dropped. In June, DMX
and Tashera were arrested for possessing assault weapons,
hollow-tipped bullets, and drug paraphernalia. Finally, DMX was
arrested and jailed for two days after swearing during a concert in
Trinidad, where public cursing is illegal.
In August, DMX performed at the
ill-fated Woodstock '99 festival, then mysteriously dropped out before
the start of the Family Values Tour, where he was slated to open for
headliners Limp
Bizkit. A later run-in with Kurupt of the Dogg Pound led Kurupt to
castigate DMX in song with the record "Callin' Out Names."
Despite his mysterious and at times
self-
destructive behavior, no explanation has been forthcoming from the
30-year-old rapper. For all of DMX's fame, he shuns the spotlight
outside of his promotional duties, preferring to spend time with
Tashera, whom he has been with since age 17, and their two children,
Xavier and Tacoma. His fans love him nevertheless: His most recent
album, … And Then There Was X (originally titled The Man,
The Dog, The God), became the third album for the rap superstar to
debut at No. 1.